Is there an Indian art?
Historically the question does not arise. However, when one speaks about contemporary art the question becomes eminent.
Is art universal?
The answers are many. The “avant-garde” tried to get over with the concept of territoriality. In answer to the historical antagonisms, artists of the early twentieth century have been seeking a common language understandable by all irrespective of their nationality and personal knowledge.
Abstraction must be this universal language. What is more common than a line, a circle, a square or a triangle? Everyone must be able to feel this basic language.
“l’art concret”, claims the democratic dimension of an art open to all, an “evident art”.
The utopia of the proposal is magnificent. Like any utopia it is not truth. Like any utopia, it is appraised in the quality of the comment, topic of the claim. A world without utopia is a dead world, without dreams, without pursuit. Utopia belongs to the world of the storytellers. It is part of living cultures. In this, it is up to us to renew them constantly, it is up to us to tell new stories.
For my part, the story that I have chosen is this one: the universal is born in the local.
This concept, I prefer to say this tale, was imagined by Stuart Davis, a precursor of Pop Art. His work was inspired by his everyday life: American skyscraper, its perspectives, the neon signs and other huge advertising posters. Stuart Davis said to aim towards universal art by being inspired by his local universe.
This story applies beautifully to one of the major figures, founders of the American art: Jackson Pollock. Jackson Pollock was inspired by the sand paintings of the Native Americans to reach his own plastic vocabulary, the famous "all over", which will make him universal.
From the local springs the universal. Whether one thinks of Malevitch, Joseph Beuys, Helio Oiticica or Subodh Gupta, this approach of universal springing from local becomes evidence which charm delights us as the most beautiful of the tales.
Is there an Indian contemporary art?
To each his answer by way of a tale, please write your own here.
Photo : Alighiero Boetti and Kimsooja, installations, Centre d’Art Contemporain de Basse-Normandie, « Rencontres Parallèles » 2004 curated by Hervé Perdriolle